![]() In this perspective, cognition is conceptualized as embodied, embedded, extended, and enacted (4E cognition) 1, 2. The embodiment of the mind plays an increasing role in cognitive science. Personality traits were also associated with the individual contributions to induction synchrony. There were links between the bodily synchrony and aesthetic experiences: synchrony, especially heart-rate synchrony, was higher when listeners felt moved emotionally and inspired by a piece, and were immersed in the music. ![]() ![]() Thus the audiences of the three concerts resonated with the music, their music perception was embodied. Clear evidence was found of physiological synchrony (heart rate, respiration rate, skin conductance response) as well as movement synchrony of the audiences, whereas breathing behavior was not synchronized. In addition to hypothesizing that such synchronies would be present, we expected that they were linked to participants’ aesthetic experiences, their affect and personality traits, which were assessed by questionnaires before and after the concerts. It was assumed that the music would induce synchronous physiology and movement in listeners (induction synchrony). A study of 132 audience members of three classical public concerts (all three staged the same chamber music pieces by Ludwig van Beethoven, Brett Dean, and Johannes Brahms) had the goal of analyzing the physiological and motor responses of audiences.
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